Author: John Fowles

Cites

• Karl Marx (1)
  • IN: The French Lieutenant's Woman (2004) Postmodern Literature, Romance novel, Historical Fiction, British
    EPIGRAPH: “Every emancipation is a restoration of the human world and of human relationships to man himself.”
    FROM: Zur Judenfrage, (1844), Essay, Germany
• De Sade, Marquis (1)
  • IN: The Magus (1966) Fiction, British
    EPIGRAPH: Un débauché de profession est rarement un homme pitoyable.
    FROM: Les Infortunes de la Vertu, (1787), Novel, France
• Chrétien de Troyes (1)
  • IN: The Ebony Tower (1997) Fiction, British
    EPIGRAPH: ...Et par forez longues et lees Par leus estranges et sauvages Et passa mainz felons passages Et maint peril et maint destroit Tant qu'il vint au santier tot droit....
    FROM: Yvain, (1180), Poem, France
• Descartes, Rene (1)
  • IN: Mantissa (1982) Fiction, British
    EPIGRAPH: Then, carefully examining what I was...
    FROM: Discours de la Methode, (1637), Book, France
• Pierre de Marivaux (1)
  • IN: Mantissa (1982) Fiction, British
    EPIGRAPH: Sylvia: We must be serious now...
    FROM: The Game of Love and Chance, (1730), Play, France
• NULL (1)
  • IN: The Collector (1963) Fiction, British
    EPIGRAPH: que fors aus ne le sot riens nee
    FROM: La Chatelaine de Vergi, (1250), Poem, France
• Antonio Gramsci (1)
  • IN: Daniel Martin (1977) Fiction, British
    EPIGRAPH: The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appears.
    FROM: Selections from the prison notebooks of Antonion Gramsci, (1955), Book, Italy
• Marx (1)
  • IN: The French Lieutenant’s Woman (1969) Fiction, British
    EPIGRAPH: Every emancipation is a restoration of the human world and of human relationships to man himself.
    FROM: Zur Judenfrage, (1844), NULL, Germany

Cited by

• Dennis Palumbo (1)
  • IN: Mirror Image (2010) Fiction, American
    EPIGRAPH: All pasts are like poems, you can derive a thousand things, but you can't live in them.
    FROM: The French Lieutenant's Woman, (1969), Novel, UK
• Trilby Kent (1)
  • IN: Silent Noon (2013) Fiction, NULL
    EPIGRAPH: On the island one was driven back into the past. There was so much space, so much silence, so few meetings that one too easily saw out of the present, and then the past seemed ten times closer than it was.
    FROM: The Magus, (1965), Novel, UK